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I’m going to do something a bit different again. Last week I gave you a run down of each book I read, this week I am going to give you my worst then my best, but there is a catch. There was one major release, which dwarfed all others, and that is my pick for worst of the week. If you haven’t guessed what my worst pick is, well frankly, I’m shocked. Before you read, just note that this review/blog gives some major spoilers.
Worst of the Week
Fantastic Four #587: This issue featured the death of the Human Torch, Johnny Storm, and it was a let down and actually made me mad, and not just because of the death. About five or six months ago, Marvel announced that one of the Fantastic Four would die, and then had a count down to that very issue. Then about three months ago it was announced that this book would be polybagged to keep secret who would die. The last time I can remember a polybag being used for the death of character was for the Death of Superman. That book was a big deal. I remember getting two copies of this book, one polybag to collect, which cost my dad $60, and a copy I could read, which I read. A lot. With the announcement that this issue would be polybagged, Marvel was saying that this death was on par with the death of Superman. First I have a problem with that. the Death of Superman was a big deal because Superman is the first superhero, the one who inspired the rest. The Fantastic Four, while the first big book to come out of Marvel in the 1960’s and would set up the direction of the company for the next several decades, is important, but they are no Superman. The second problem I have polybagging this book is that it uses a method of marketing that was highly used in the 90’s, a time in comics that is often made fun of. There is nothing wrong with marketing for an event such as the death of one of Marvel’s biggest heroes, but to use a method that people joke about? I don’t get it. With the industry trying to get new readership, to be more than funny books, they go back instead of forward? I don’t want to say this, but I will. It was dumb.
Now the issues keep coming out when last week, Marvel announces that, due to the new early shipping schedule Diamond has (Tuesdays instead of Wednesdays), Local Comic Book Shops can sell this issue, and this issue only, one day early. Why do they do this? Well it makes the wait that much shorter, but also, when Marvel makes their next move they can take advantage of this early day release. Tuesday the 25th comes, the day of FF #587’s release, and Marvel sends out a press release to the media, which not only include comic book websites, but all major media outlets. What’s in the title of the press release? You guessed it, the character who dies. Can you guess what happens next? that’s right, the whole world (hyperbole, I know) finds out. I decided that I would be spoiled, that I would read one of the many articles being written on the death of Johnny Storm. I would not allow Marvel to dictate how I spent my day online, because I knew that someone on Twitter or a forum, or hell a text message would tell me before I read it. And yes, I saw a tweet that spoiled it. So now I’m not only mad because Marvel decided to make the death not a surprise by announcing that a character will die, and not only because they decided to keep the character a secret by pollybagging the issue, thus reverting to a marketing method that hadn’t been seen in over a decade, but what do they do, they spoil the death themselves so people will rush into a comic book store, buy this historic issue a day before regular release, forgoing the number of sales competitors could get from new readers coming in to buy this ONE issue, but also forgoing any extra sales they could have gotten from their own books. What the fuck was Marvel thinking?!
Today on CBR, I read retailer reactions to this “milestone” issue. A common theme between them was that they saw a lot of people they had never seen before, and a few they haven’t seen in awhile. People were hearing the news of the Human Torch’s death and coming into to get in on the action; after all, this issue could be worth something someday (my LCS sells the Death of Superman, pollybagged, for $25, a book that was released almost 20 years ago). Marvel then has created a hot commodity, a collectors item to be kept for a long time. The problem is though, new comics aren’t collectors items anymore; not like the used to be. Why? Because not only do they release a lot of copies, but we now live in the digital age where these copies can be reprinted however many times, or they can be released digitally, and read on a computer, any smart phone or iPad. That’s right, for those of you who bought this comic thinking it will be worth something, I’m sorry to say, but it won’t be. And what did Marvel accomplish by this bait and switch style manoeuvre? They made some money. Sure they had an influx of regular readers buy this issue, some who will probably continue reading this series, and yea they made some extra money off of people off the street coming in to buy the book because it’s on the news. But what about guys like DC, Image, Dark Horse, Boom! or any other small press publisher? I guarantee you they didn’t get an influx of sales because of this issue; the majority of new people coming into buy it came in a day early.
As for the issue itself; it was alright. I gave it a three out of five on iFanboy.com. This entire arc, which has been separating each member of the four and putting them in a do or die scenario, has been plotted for this particular issue. In the Reed and Sue plot lines, each member figure a way out of their problem in quick and efficient, bordering on deus-ex machina, manner, but it becomes evident very quickly that Ben and Johnny and the Future Foundation are in real trouble with tens of thousands of alien bugs descending on their broken gateway to Earth, and the only way out is the cliched someone must stay behind to close the portal. What would you know, the Thing, who two issues earlier was reverted back to his human form for 24 hours, volunteers his life away. But wait, at the very last second, Johnny decides that he will be the one to stay behind and throws Ben through the portal, sealing himself behind. With thier uncle about to face his death, both Franklin and Valeria barely protest what’s about to happen, they don’t even say good bye. The odd part is this; Valeria, the super smart, almost smarter than her Father, Mr Fantastic, genius, is the one who suggests someone staying behind like it’s nothing. For a girl under 10, she doesn’t seem to worked up about one of her uncles or friends staying behind to be slaughtered by monsters. Franklin has just gotten his reality altering powers back; yup, reality altering. When Johnny seals himself behind, Val suggests Franklin create more time. He can do that you ask? As soon as he received his powers back, he created a universe in the palms of his hands. So ya, he can do that, but Ben says no. You think with a character who has the power to alter reality, he could fix the broken portal, but he doesn’t. Well, what happens next is the death we’ve all been waiting for. As the portal begins to close down, Johnny flames on one more time, ready to take on the bugs, but he gets knocked out. The portal finishes closing as Ben, who in his great upheaval of emotion has turned back into the Thing, then we see him hugging the children. What I missed something you say. Where’s the death? Well, we don’t see it. All we see is the door closing, then a panel of it closed, and that’s it. No last breath, no eye closing, no body, but turn the page and we get the title of this issue, The Last Stand of Johnny Storm. The question arises, did he actually die? I don’t know, but what I do know is, that this is a superhero comic, and in superhero comics, deaths don’t tend to last long. So we get all this build up for a scene where we aren’t sure if a character dies, a character who will probably be back (there are only 12 issues to the 600th issue). All of that, for this? I’m sorry, that is not cool, that is not cool at all.
I could go on a bit more about the issue itself, how the plot was rushed and forced, but I’ve touched on that. I could say that while Steve Epting is a great artist, he isn’t great for this book, well I guess I just did. I will say though that this series will be ending with the next issue #588 (with a year to go to 600 they are cancelling the series?), then a new, different fantastic four series (sans Johnny of course) begins in a couple months. It’s called FF. I’m sorry to say Marvel, I won’t be picking it up, and the Fantastic Four are one of my favourite groups of superheroes, if not my most. Some readers of Hickman’s run may say, Kyle, stick around, this is all part of a bigger story. I know it is. I love Hickman’s SHIELD comic; it has all kinds of crazy ideas floating around, but that’s not why I am dropping this book, and if you haven’t been able to tell, it’s because the way Marvel treated this book, as a side show. I understand that it’s trying to make money, and as a publicly traded company it should be, but when you use ulterior motives to sell your books to people who will only buy this comic, and you do it in such a way that you highlight a marketing tool that is considered a joke in the larger comic community, you are not only telling your audience that you don’t care to push your medium forward, but you re-enforce the publics stereotypical views on comic books and those who read it.
I realize how angry this has made me, and yes it is just a book, but it’s also a book and a medium that I care deeply about, so I am sad this is what makes me stop reading about a family I love. Something funny happened today though. As I was going over this post in my head, plotting it out, waiting in anticipation until I could get my rantings on page (and this has been very cathartic), I heard about this great quote from writer Steve Niles that Robot 6, a blog on CBR posted, and it goes like this: “Can I say something I’ve wanted to say for a long time? If you like something, tell your friends. If you love it, tell the world. But if you hate something, just throw it away, don’t buy it again and move on. We spend way too much time tearing shit down. I just want to try the other direction for a while.” Up until I read this, I was wavering on dropping some books that were alright, but weren’t really doing it for me (two of them I read last night, not including this issue of Fantastic Four). So thank you Steve, I will be dropping several books in the comings months (I will wait for the arcs to be finished, it’s only fair to the story), and apologies Marvel, I think most of them will be yours.
Best of the Week
My Pick of the week for best comic goes to Detective Comics #873, simply because this a great Batman book, but it’s also a Batman book that moves the character and the mythos forward through a form of evolution that seems natural. This arc reminds me a lot of the post Jeph Loeb/ Jim Lee run on Batman done by Brian Azzerello and Eduardo Risso titled Broken City. Scott Snyder and Jock create a gritty and horrifying Gotham and still make Dick feel like he is Batman and not pretending to be him. I read this book last (and read Fantastic Four first) and I am happy I did.
I’m going to do something a little different for this week’s picks. Because they were two comics that I couldn’t choose for my best pick, I decided that I would have two best picks no worst pick. Now I picked these comics as the best more because of what they represent to their respected series and place within their company’s line up. So here we go:
Detective Comics #871 – This is the first issue with the new creative team of writer Scott Snyder (American Vampire) and artists Jock (The Losers) and Francesco Francavilla, and if you read my pull list post for this week you’ll know I was very excited for this book. I wasn’t disappointed at all with this book, or the Commissioner Gordon back up (Francavilla). Detective Comics now follows the Batman of Gotham City, former Robin and Nightwing, Dick Grayson as he looks into the theft of supervillian items that are being used by a new big bad. The issue follows Dick and his new relationship with Gordon and is old school Batman detective style. This is the Batman that I favour the most, and Snyder and Jock nail down the tone with this comic. When you read a Batman book no matter if you are looking at Batman or Bruce Wayne, you always see Batman, but with this issue, you see Batman and you see Dick; the two coexisting as one. This is something I didn’t see during Morrison’s Batman and Robin, which was Dick in a batman suit. Snyder gets the Batman mythos, and he gets Dick Grayson. There were times when I was reading Batman’s dialogue to Gordon about various medical drugs, and he wrung them off like a season pro, and for a second I thought, this isn’t Dick, but then I realized that Dick has been around a long time, has been solo, has been a cop, he’s no amateur, he’s been tought by the world’s greatest detective, there is no way he wouldn’t know any of this stuff. What helps make Dick and Batman co-exist is Jock’s art; he draws a true to form Batman, and with Snyder’s writing it just works. Jock also has some stunning panels and he can really tell a story within the story; he’s pretty damned good. The back up, which I tend not to read, is also great and works on its own and within the main story itself, and add Francavilla’s ability to draw a realistic down trodden but never give up hope Commissioner Gordon, and this book is going somewhere special. This definitly goes to the top of my pile.
Amazing Spider-Man #649 – This is the second issue of new permanent Spider writer Dan Slott, and this was a better issue than last for the sole purpose of being ready to tell a story, a new Spider-Man story. The first issue was merely set up for this issue, which opens up with a bang, well a lot of bangs, and then throws in a surprise. I’m not going to give it away, but suffice to say it’s shocking. This issue is filled with a great Aunt May and Peter scene, which has a Ditko panel thrown in for good measure, that really demonstrates this book’s new direction, one that seem’s logical, but a direction that’s never really been travelled before. We finally get to see how Peter’s new job is going to create some great new, but classic styled, Spider stories. Let’s not forget the art though; Humberto Ramos has a very cartoonish style that really works for a Spider-Man book, which is evident in the action scenes of Spidey and the Black Cat mixing it up some two bit hoodlums. Ramos does a lot of little things in his panels that make them move or give them something to take in before you move to the next. While Peter is still Spider-Man, this book feels like something new when in reality it isn’t. I also love that this book comes out bi-weekly!
I chose these two issues because they both made classic books feels new without losing any of their classicness. Furthermore, these books pushed their respected characters forward without losing that classicness, and that is a rare thing to see with new creative teams on older properties. The fact that it happened twice this week, well you can see why I choose them as my best picks. If you do want a worst pick, I would give it to Captain America. It was a pretty humdrum story that I wasn’t too interested in, but that’s okay, these two picks certainly made up for it.
I’m most excited about Scott Snyder and Jock‘s Detective Comics #871; it stars Dick Grayson as the Batman of Gotham and sounds like it’s going to be a cross between CSI and a psychological thriller. I’ve read a lengthier preview and it got me really excited. I wouldn’t be surprised if it’s my pick of the week for best comic.
Another book that I should mention is Invincible Iron Man #32. It’s the last part of the 8 part Resilient story line and the last issue before the series goes back to its original numbering with #500.
I’m going to be talking a lot about comic books, and while I have said I am going to focus my blogging to this topic, this topic is still a pretty broad one. A good portion of the comics I read are of the superhero persuasion. I am though working on building a pull list/library of non-superhero titles, but I find this to be a slow process as my Local Comic Book Shop (LCS) primarily stock superhero comics, and of the non-superhero titles that do come, only a few are available. What I am trying to say is that most of the discussion I will have on this site will be about superheroes, and these will be heroes from Marvel and DC. But please note, I am reading comic books from companies that are not the big 2 and that are not about superheroes, and I will talk about any comic book related material, and if you have a recommendation, please give it here.
I guess then I should tell my blog readers (those of you who are going to read now, and for those who will back track my posts at a later date, that is if I keep this blog up and running) what books I am reading.
I’m mostly reading ongoings: Uncanny X-Men, Secret Avengers, SHIELD, Thor, Thor: The Mighty Avenger, Invincible Iron Man, Fantastic Four, Captain America, The Flash, Green Lantern, Batman and Robin, The Walking Dead (in trade paperback), Skull Kickers and American Vampire. As you can see, that’s a lot of Marvel; it’s what I started on, so it only makes sense I keep reading them. There are also a number of mini and maxi series that find their way in and out of my pull list: Avengers Prime, Astonishing X-Men: Exogenesis, Astonishing Wolverine and Spider-Man, Batman: The Return of Bruce Wayne, Nemesis, Young Avengers: Children’s Crusade and Brightest Day.
So I guess I read about 20 books right now, though I am looking to drop some of these soon. I’m struggling to get through Uncanny X-Men, Batman and Robin and Thor: The Mighty Avenger. The last one is a shock to me; this is a critically acclaimed series with amazing art. Chris Samnee is a great artist and story teller, but I can’t seem to get on board with Robert Lethridge’s writing. This book is old school superheroes, and for some reason, it doesn’t do it for me. Dropping Batman and Robin would mean for the first time in a long time I wouldn’t be reading a Batman book, and that’s somewhat disappointing.
But there are a few books I am looking to pick up, and one is a Batman title; Detective Comics with Dick Grayson as Batman. As I mentioned in my pull list for this week, Superboy starts up this week. I’m getting this solely because of Jeff Lemire, who’s Graphic Novel Essex County is fantastic. The only other book I am considering picking up right now is Amazing Spider-Man. It has been a long time since I picked up a regular Spidey book, and with all I’ve heard Dan Slott say, and all the Humberto Ramos preview art I have seen, this is easily the book I am anticipating the most.
So there’s what I am reading; like I said a lot of superheroes. Though please, if there is anything you would like to recommend, please, I’m all ears, and eyes I guess since we are talking comics. And as for posts go, this one is pretty boring, I know, but I think it is important none the less. Helps you get to know me. Next week I will have an actual discussing something comic related, I promise