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I had four comics this week; hardly enough to give an accurate idea of what the best and worst comics are.

Since I started picking this book up in November, Amazing Spider-Man has been very close, or has been, my pick of the week. This week is no different. With the second of this book’s two rotating artists, Ramos and Caselli, Caselli has a similar style but unique take on the wall crawler. There are some great action beats that are drawing very well, character moments that are true to those characters, but at the same time it moves them forward. This current arc is about Spider Slayer Alistar Smythe who is back to ruin the life of the beloved J. Jonah Jameson. Naturally JJJ has some moments that highlight his hate for Spider-Man, but also his realization that Spider-Man isn’t the nuisance he makes him out to be. It’s similar to Barney Stinson for How I Met Your Mother, who we all know is a jack ass, but shows moments of sincerity. Slott has been writing some cliffhangers that feel much like a comic book should. He leaves the story at a spot that is logical and makes you want to read the next issue. With a book that is bi-weekly, I don’t have to wait long.

My pick for worst of the week is Thor #619, a book that has been here lately. I am almost done with this book, a book that hardly has any structure, a story that is trying to get back to its former status quo and a book that makes brow raising choices that make you shake your head. The only reason i keep buying this book is Pasquel Ferry. This guy can draw some great fantasy characters and draws Asgardians that look both fantastical and science fictional at the same time. For those who know Thor, know that this is how they character should be drawn. With ┬áMarvel changing Thor back to the title characters original book, Journey into Mystery and starting a new Thor series, The Might Thor, written by Fraction and drawn by former Thor artist Oliver Copiel, I may be done with this character for now. Gillen will be writing Journey, and he is a writer I can’t get into, and I haven’t liked what Fraction has done with Thor so far. Sorry Marvel, I am sure you will get lots of new readers with this maneuver, but I probably won’t be one of them.

I also picked up Invincible Iron Man #500. Marvel has decided to amalgamate all the volumes of Iron Man into one and go back to its original numbering, and to celebrate created a huge anniversary issue with three different artists telling two stories: one present and one future. The story was alright; jumping back and forth between the two time periods. However, the art was too wildly inconsistent, especially in the future story where I had no idea what was going on in some panels. Not sure if it was the colouring or the inking, but is seemed rushed and sloppy. The style is meant to be gritty, but this wasn’t pulled off well.

Finally, the last book was my only DC book this week, Brightest Day #18, and I am going to give spoiler warnings here. This issue focuses on the Hawks, Hawkman and Hawkgirl, and their involvement in this series up until this point has highlighted the continuity mess that these two characters share. It would take too long to explain it all, so I will take the easy way out and point to a Wikipedia article on Hawkman . Brightest Day #18 finally gets the Hawks to a place where they can finally shed all that past┬ácontinuity and start fresh, but Johns and Tomsai say that isn’t enough and kill off the characters for good. This May be the first real deaths of DC’s dead is dead that was pronounced by Hal Jordan back in Brightest Day #8. This may also be a way to create a new Hawkman or Hawkgirl that cannot be added to the continuity of the former. Brightest Day is almost over; there are seven issues left and this is book is bi-weekly, so that’s about three months worth of story to go and there is a lot that can happen.

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Kyle Lawlor

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